EVENTS:
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Klimt: "You are Emilia."

The girl nods.

Emilia: "M'ila."

Eigla takes the dress from Klimt's hands and waves it in Emilia's face.

Eigla: "Dress."

Emilia: "M-mm. Dres."

The girl sheepishly lets Eigla remove her clothes. It quickly becomes clear she's not quite human, at least not anymore. Her arms and fingers are far too long and thin, almost skeletal, and two large bulges inflate and deflate on her back as she breathes. You can see red blood vessels pulsing clearly through her greyish-white skin, and her torso bears several badly-stitched scars, many held together with metal clamps.

The dress helps hide it somewhat, but fits her more like a long shirt than anything. Eigla puts the straitjacket as a jumpsuit on top of it, for additional modesty and protection.

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EVENTS:
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Klimt: "We need to go. I think there are more creatures where that first one came from."

Eigla: "Where are we going?"

Rosa: "Away from others. Wherever the groups are going, we go away."

As if on cue, you spot another group of undead shambling out of a nearby crate, and sluggishly heading the same as the others, towards the DECONT sign.

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EVENTS:
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Klimt: "Do you think they are marching into an incinerator?"

Eigla: ""Don't know. Should probably stay away from them, though.""

Rosa: "Yes."

With that, the group begins moving on the opposite direction, Emilia in tow. The space you're in is positively huge, rows upon rows of crates lining every path. After a few minutes of walking, you finally find a clearing.

The floor here is metal, instead of the cracked concrete you'd grown used to. In fact, the whole open area seems slightly raised, with a considerable vertical gap between it and the floor level. A control panel of sorts lies on one edge of the platform, while an old, dilapidated crane truck is parked in its center, boom still extended.

Far up above, you see a small dot of sunlight amid the darkness. Are you underground, maybe?

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"That feels familiar in some way. I'm not sure how to explain it."

/L4D/

EVENTS:
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Eigla: "I think this might be an elevator, and I have a feeling starting it is going to attract a lot of attention."

Klimt: "That feels familiar in some way. I'm not sure how to explain it."

Looking at the control panel, it seems simple enough. A faint amber light indicates it somehow has power. There's an on/off dial, a large lever for going up and down, and a big red button labeled Emergency Stop.

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