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 The Lounge 
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Post Re: The Lounge
The Walking Dead Season 2 ep 5 came out
I


Wed Aug 27, 2014 1:32 am
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Roast Veg wrote:
Brief musical knowledge segment:

although Sothe has an observation on popular music structure, there are an enormous number of "catchy" melodies that are founded on predictable chord progressions and strong bass lines. Listening to both of those tracks I was actually able to preempt the next chord for a large amount of the piece. Listen again to both but focus on the bass line for them and see what you think.


Indeed. I was thinking that maybe someone would have brought up an article about it or something, but yeah, this is a good part of it.

Cheers!


Wed Aug 27, 2014 1:38 am
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Roast Veg wrote:
I've known people get serious skin problems from guitars. Try and stick a small break in between playing and keep your fingers and strings clean.

ive got a little grip tool i can use to strengthen my fingers until theyre calloused, it works just as good as pressing on the guitar and doesnt hurt quite as much


Wed Aug 27, 2014 2:13 am
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Post Re: The Lounge
Don't hurt yourself.


Wed Aug 27, 2014 2:16 am
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i know


Wed Aug 27, 2014 5:17 am
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I recently picked the guitar back up. I really suck at quickly switching frets


Wed Aug 27, 2014 5:24 am
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Nonsequitorian wrote:
The chords for a pop song are almost always going to be some formation of a 1 4 5 chord progression or a 2 5 1 chord progression (which is essentially exactly the same). There's also a ton of songs that use some variation of what's essentially pachelbels canon.
I'm assuming you mean I-IV-V and II-V-I cadences occur in the progression rather than that being the entire progression, which if so makes you pretty well correct. II-V-I is the single most perfect cadence in all of existence, and descends from all manner of classical pieces right back to plainchant. 3 chord songs, however, are not the norm in modern culture, as you cited from the axis of awesome's four chord bonanza.
Nonsequitorian wrote:
While on the subject of music, a lot of songs use the minor 6th of a key to add another chord into the mix. I'm not explaining that well, but I think of it like this: G and C are different keys because G has an F# and C has a plain old F. Am, on the other hand, is essentially the same exact scale as C, simply starting on a different note.
There is a marked difference between the ionian and aeolian modes, and it brings a whole different sound to go from a I-V-VI-IV four chord song to a VI-IV-I-V chord sequence instead. The sheer quantity of "sad" four chord songs and "happy" four chord songs should make it pretty clear that changing the scale and the mode definitely brings an alternative motive to a piece. Don't forget, however, that when talking about the scale of any minor, there is often a raised seventh in the melody (in A minor's case this is a G#), to reaffirm to the ear that the root of the scale is there. It is absent from a lot of contemporary music, however, since songwriters prefer to have the major/minor ambiguity to leave them more room for chords.


Wed Aug 27, 2014 2:53 pm
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Post Re: The Lounge
Sothe wrote:
First of all being smooth is nice and so is being a vampire

not as nice as being a hairy werewolf, bite me.


Fri Aug 29, 2014 5:48 am
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Rajani wrote:
Sothe wrote:
First of all being smooth is nice and so is being a vampire

not as nice as being a hairy werewolf, bite me.

Go on.


Fri Aug 29, 2014 9:42 am
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a hairy werewolf biting you is not something you would enjoy


Fri Aug 29, 2014 10:11 pm
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Post Re: The Lounge
Some people would enjoy it.


Sat Aug 30, 2014 12:41 am
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I enjoy it


Sat Aug 30, 2014 1:38 am
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I should post more rather than just lurk.


Sat Aug 30, 2014 2:56 am
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Post Re: The Lounge
you should change your avatar


Sat Aug 30, 2014 4:24 am
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MLP is SOOOO 2013


Sat Aug 30, 2014 5:46 am
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